To be fair to Pritam, while he has done quite well in each of the three songs heard in the album so far, ' Hum Jee Lenge' manages to create a very firm place for itself. Last to arrive is ' Hum Jee Lenge' which has been composed by the Roxen Band. The youngster has been doing consistently well practically every time he comes behind the mike and ' Jaata Hai Tujh Tak' (also being heard in multiple versions) is no different, what with the song keeping a listener's interest alive right through its play. A love song which has Western arrangements taking forward core Indian melody, it has Nikhil D'Souza making most of the platform provided to him. The momentum continues to build with ' Jaata Hai Tujh Tak' turning out to be an upbeat number that boasts of unconventional, yet high impact lyrics by Quadri. A good song that can be heard and hummed along regardless of the film's run and eventual stay in theatres. The song doesn't just boast of a well layered 'mukhda' it also comes on its own in the 'antara' portions. Pritam has time and again extracted the best out of the singer and ' Mat Aazma Re' is no different as this well paced love song manages to stick its neck out and establish a definite place for itself in the album. While ' Teri Jhuki Nazar' does well in being a warm up affair, the song that follows enhances the momentum with K.K. A beautiful number by Shafqat Amanat Ali which pretty much follows the kind of template affair that Bhatt soundtracks here, this is a very well worded poetic love song by Sayeed Quadri that arrives in a couple of versions and gets you interested. This is what one gets to evidence from the very first song ' Teri Jhuki Nazar'. Now this could possibly be the only movie making company that continues to break rules, doesn't even get tempted by item songs and still gets away with only male voices holding the fort. Yet again, and something that one has become used to seeing in a Bhatt film, there is no female voice heard in Murder 3. That's a reality courtesy which they boast of a soundtrack catalogue that is pretty much envious for many of their contemporaries. It is as simple as that films come and go, music releases and disappears, actors keep changing but, and most importantly, music from Bhatt films continue to stay on. See /listener for privacy information.Expectations? Now one doesn't have to really detail out any when credentials involve Bhatts, Pritam and Sayeed Quadri. For ticketing information for Dreamgirls, click here. Wynn Rousuck joins us today on Zoom.Д«oth productions are running at Center Stage until December 19. The play is being presented in partnership with the Long Wharf Theater in New Haven, Connecticut. (Tom Hall spoke about Fireswith Nicole Brewer, Center Stage Artistic Director Stephanie Ybarra and playwright Anna Deavere Smith, along with two scholars, here on Middayearlier this month). The Center Stage production is directed by Nicole Brewer. The second play is the Center Stage production of Fires in the Mirror, playwright Anna Deavere Smith's powerful, one-woman evocation of the strife between Black and Jewish communities that erupted in New York City in the summer of 1991. Lyles, with choreograophy by Shalyce Hemby. The sprawling cast is directed by Artscentric's founder and artistic director, Kevin S. The first is ArtsCentric's ambitious production of Dreamgirls, the 1980s hit Broadway musical about a trio of young female singers aspiring to success. This week, she has reviews of two plays now running concurrently at Baltimore Center Stage. Wynn Rousuck joins Tom for another of her weekly reviews of the region's thespian offerings. And lastly on today's edition of Midday on the Arts, our theater critic J.

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